Visual Arts of Africa and the Atlantic World History Creativity and Agency

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, about of what we learn nigh fine art history today still centers on white men from Europe and, later, the United states. In reality, there are so many more artists of all genders to acquire from and appreciate.

Hither, we're specifically taking a look at just some of the women who take had lasting impacts on their art forms. From some of the art world'due south nearly iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, still have a hand — in changing the world of fine fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more 30 years. Later on studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the The states, becoming all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Flick Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps well-nigh well known for her series of Untitled Picture Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of diverse generic female person film characters, amidst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'southward influence over our individual and commonage identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Y'all might showtime call up of Yoko Ono as a musician and activist, merely she'southward too an achieved functioning and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she first staged in Nihon; Ono sat on stage in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her habiliment. "Art is similar breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in plough, office of the trajectory of art history.

Saar was role of the Black Arts Motion in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, and then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like decease and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded equally ane of the virtually influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she's also known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Commencement Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'due south portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the beginning Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just perhaps, the skyscrapers of New York City. In the 1920s, she was the starting time adult female painter to gain the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question lodge, identity, and racial politics by demanding the audition to face truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a imitation mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'south poses in front of a photograph in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is all-time known for her photography, picture, and video piece of work, much of which explores the relationship between Islam'south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer'due south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act equally meditations on various concepts, such equally trauma, knowledge, and promise. One of her more than notable works, I Odour You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the Get-go Nations People in Canada. As an Anishinaabekwe artist, she works to enhance awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the primary styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Fiddling Taste Outside of Honey, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and pop art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures inside the early Feminist Fine art motion. As exemplified in her iconic work The Dinner Political party, her installation pieces ofttimes examine the role of women in history and culture — in the 1970s and before. While at California Land Academy in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Savage with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating breathtaking sculptures, oft of Black folks, Roughshod founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just await up her most famous piece of work, Interior Scroll, and you'll see what we mean.) She used her torso to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional ability relations. In improver to documenting New York Metropolis's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this await like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went past her final name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Yet, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's final public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Globe War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — only in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

However from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Touch on Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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